The Two Finger Guitarist: Pentatonic Superimpositions on Dominant Seventh (blues) chords.

!!Attention rockers, jazzers, and blueseros!! Take advantage of your already internalized knowledge of pentatonic scales (minor) to find new colors in your playing. Break out of your playing plateau and those boring boxes.Pentatonic superimposition.jpg

Advertisements

1 thought on “The Two Finger Guitarist: Pentatonic Superimpositions on Dominant Seventh (blues) chords.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s