- NYFA Collection Vol 2 (Innova Recordings), produced by Amigo and P. Blackburn DROPS December 11!!
- Amigo and Kevin Mambo (¡Fela!) @ EastSide Sound adding final touches on their new blues/soul EP for 2016!
- Allen Toussaint. RIP and thank you.
- Tango With the maestros in NYC
- KLON KTR ($269) or JOYO SWEET BABY ($30)
- Amigo on Prepared Guitar Blog: 13 Questions
- Follow cristianamigo.com on WordPress.com
Blogs I Follow
Dawg TagsAmericana Amigo anti-capitalist ASPCA atonal theory avant-garde Blues blues-rock chamber music country music distortion EPI Emperor Regent ethnomusicology extended techniques Fender stratocaster Fender telecaster Gotham Roots Orchestra graphic scores Guggenheim Fellowship. guitars Hagstrom Viking Ibanez Artist improvisation Innova Recordings jam-band Kingdom of Jones Led Zeppelin Les Paul new music noise nono/nona recordings opera politics psychedelic recycled instruments roots music San Dimas Charvel Smithsonian Center for Folklife and Cutural Heritage UCLA Violeta Parra
Amigo and Kevin Mambo (¡Fela!) @ EastSide Sound adding final touches on their new blues/soul EP for 2016!
It’s not everyday you get to play and sit inside a tango with the maestros Daniel Binelli (bandoneon), Polly Ferman (piano), and Pablo Aslan (acoustic bass). But today was that day. Outstanding experience for me. When the tango section hit it was so deep I almost drowned. Next time, I’ll have the wherewithal to take some photos. It was like listening to my dad’s records.
Using a Les Paul into the clean channel of a Fender Super Champ😄, this four gain stage sounds awesome, but in terms of standalone….. The $30 Sweet Baby sounds warm and transparent in low overdrive settings that get you into Rolling Stone rhythm territory, and if you can’t roll your volume all the way up on your 40W Fender amp, the SW is a good way to go at lower decibels. You can leave it on and forget about it. For this-type of tone coloring, I prefer the Sweet Baby over the $268 KLON!! The touch sensitivity and warmth of the SW are something else.
WHAT!!! The Klon however is an awesome tool, and sounds great in the way most guitarists use it as a transparent boost with the gain at zero or a bit above. By itself the Klon sounds a bit hard to me and loses touch sensitivity real fast when you roll up the gain. But me, I’m always seeking the most touch sensitive set-up possible.
However, stacking between the SW, the Klon, the Empress fuzz, and the eq, yields a lot of different high quality sounds–like you’re ready to be a studio guitarist–if that profession still existed.
I wouldn’t have guessed I’d chose the SW if I hadn’t bought the Klon. I just assumed that the awesome sound I was already getting with the SW could be topped for more (almost 10 times more) bucks. I was wrong. You have to trust your ear more than the gear. Lesson learned.
There’s a reason Robert Plant jams with Jack instead of the pile of other American six-stringers who seem to think the blues were invented in England. Some Son House rechanneled. ENJOY!
Overheard @ The West coffeehouse, “I get up whenever I want.” Not so much in Queens. Heading to Main Drag Music and another kind of shop TBD.
Got so hyped on Justin’s and Chris Stapelton’s performance at the CMA show that I wrote a song for Justin this morning….or for Kevin Mambo. I should probably demo it after I demo the other 200 songs (literally) in line. :)